Stunt double Hayley Wright pulled over by police during beach car shoot for Apple TV+ series Lucky
During a beach car scene for Apple TV+ Lucky, stunt double Hayley Wright was stopped by police who missed the cameras, prompting a quick crew fix.

While filming the beach‑side car chase for Apple TV+’s new series Lucky, actor Drew Starkey and stunt double Hayley Wright were unexpectedly stopped by a police officer. The officer, who didn’t see any cameras, asked where the production was and warned that cars weren’t allowed on the sand. Production assistants sprinted to the scene, explained that a film was in progress, and the officer let them continue. The incident underscores how realistic location shoots can blur the line between fiction and real‑world law enforcement.
What happened
The scene was captured with a long lens, keeping the crew out of the driver’s view as Starkey and Wright burst out of a garage onto a long beach. A police officer approached the car, asked “Where are the cameras?” and cited a local ban on vehicles on the sand. Production assistants rushed in, identified the shoot, and the officer allowed filming to resume after confirming permits.
Why it matters
The episode highlights the importance of clear communication with local authorities when shooting on public beaches, where permits and visible signage are often required. A misunderstanding can cause delays, legal exposure, and strained community relations, potentially impacting release schedules. It also illustrates how realistic stunt work can be mistaken for actual traffic violations, raising safety and liability concerns.
- Authentic location adds visual impact.
- Unexpected challenges sharpen crew problem‑solving.
- Incident raises industry awareness of permit compliance.
- Production delays increase costs.
- Risk of legal penalties if permits are insufficient.
- Potential damage to relationships with local communities.
How to think about it
Before any on‑location shoot, verify that all permits are secured and that local law enforcement is briefed on the schedule and visual cues. Use visible markers, such as “Film in Progress” signs, and assign a liaison to field officer questions instantly. Build extra time into the schedule for unforeseen interruptions, and rehearse a quick response plan for crew members.
FAQ
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